Established in 1991 by award-winning producers Kathleen Kennedy and Frank Marshall, The Kennedy/Marshall Company has provided commercially successful and critically acclaimed entertainment to audiences worldwide.

Patrick Crowley is a veteran movie producer, specializing in action and scope, who has produced films around the world. As a producer on the breakthrough JASON BOURNE series, he helped bring a new cinematic experience to audiences, thrilling them with the highest level action and suspense, and traveling to previously unseen locations. On the first movie of that franchise, THE BOURNE IDENTITY, Patrick began his prolific producing partnership with Frank Marshall, making eleven films together over the last 25 years. Working together on projects big and small, Patrick now continues that collaboration as President of Film and Television at The Kennedy/Marshall Company. 

Patrick got started in film after being a photojournalist during his undergraduate time at Berkeley, from 1965-69. He got an M.A. from Stanford in documentary film and was an adjunct professor there. He produced and directed a documentary about live television sports, SECONDS TO PLAY, which played at the Chicago Film Festival. He was head of commercial production at One Pass Video in San Francisco for three years and then moved to Los Angeles from the Bay Area in 1980. 

In LA, he worked with noted cinematographers Conrad Hall and Haskell Wexler, running their commercial production company, where Hall added to his producing chores and shaped him into a First AD. Patrick then did two movies with John Schlesinger: FALCON AND THE SNOWMAN and THE BELIEVERS. He worked on four movies in Mexico, including UNDER FIRE and REVENGE. He landed his first producing role on ROBOCOP3 in 1989 and moved up to Executive Producer on SLEEPLESS IN SEATTLE and LEGENDS OF THE FALL. 

In 1994, Patrick signed on with New Regency as EVP of Physical Production, overseeing such movies as: FIGHT CLUB, HEAT, LA CONFIDENTIAL, ENTRAPMENT, TIME TO KILL, and DEVIL'S ADVOCATE. He moved from New Regency back into producing with THE BOURNE IDENTITY. He added the next three BOURNE films to his slate, traveling all over the world to create this memorable series. In the middle of the BOURNE franchise and continuing their relationship, Patrick produced and Frank directed EIGHT BELOW, a moving film about sled dogs left behind in Antarctica. 

They then moved into producing the JURASSIC WORLD franchise together, spending 9 years shaping a series of box office megahits for Universal, earning almost 4 billion dollars. 

At Kennedy/Marshall, Patrick continues his passion for filmmaking: developing and producing movies for a worldwide audience.

Melissa Goodall is the Head of Development at The Kennedy/Marshall Company, where she oversees the scripted development slate and manages the development-to-production pipeline. Passionate about world cinema and promoting underrepresented and global voices, Melissa helps turn character-driven stories into compelling and commercially successful scripted content.

In her role, Melissa helps to set and execute the Company's overall creative vision and identifies and evaluates film and television projects in line with these mandates. She collaborates with writers, directors, and talent, provides creative feedback for in-development projects, and builds company relationships across the industry, as well as with emerging talent and up-and-coming filmmakers. Recent projects include JURASSIC WORLD: DOMINION and the forthcoming reboot, TWISTERS.

Prior to Kennedy/Marshall, Melissa started her career at White Horse Pictures, under producers Nigel Sinclair and Nicholas Ferrall. Melissa holds a Master’s Degree in Security Studies and a Bachelor of Science in International Politics, both from Georgetown University’s School of Foreign Service.

As the President of Documentaries at The Kennedy/Marshall Company, Emmy-nominated producer Aly Parker leads the creative output and artistic strategy of the division, working across all aspects of filmmaking to enable and foster groundbreaking documentaries. She oversees a full slate of feature and episodic projects, while working closely with directors. 

Recent projects include RATHER, THE SPACE RACE (NatGeo), PICABO (Peacock), THE REDEEM TEAM (Netflix), CAROLE KING & JAMES TAYLOR: JUST CALL OUT MY NAME (CNN). 

Prior to joining the company, Aly was the Supervising Producer for the Emmy-nominated documentary THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART (HBO) and Consulting Producer on the filmed production for Tony-winning Broadway musical COME FROM AWAY (Apple+). She also served as the Executive Producer for the live-captured Broadway musical DIANA (Netflix). Aly started her career producing commercials for mega brands like Adidas, Microsoft, Land Rover, and music videos for Selena Gomez, Jay-Z, and Kendrick Lamar.

Tony Rosenthal is the Senior Vice President of Documentaries at The Kennedy/Marshall Company, and serves as Executive Producer for the company’s documentary slate with an unwavering passion for creating compelling content. 

In his role, Tony manages the day-to-day operations of the company’s documentary division, collaborates with creative partners, and oversees the execution of all production initiatives, ensuring that each project aligns with the company’s creative vision while fostering an environment that encourages creativity and innovation throughout all stages of production. Recent projects include RATHER, THE SPACE RACE (NatGeo), and THE REDEEM TEAM (Netflix). 

Prior to joining the Kennedy/Marshall team, Tony was part of the producing teams responsible for Emmy-nominated documentaries LUCY & DESI (Amazon) and THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART (HBO). Tony started his career producing commercials for brands such as Alexander Wang, Adidas, Instacart, music videos for P!nk, Jay-Z, and Finneas, and managing the production of QUARTER LIFE POETRY (FX) season 1. 

Beyond his professional achievement, Tony is committed to fostering inclusivity and diversity in the entertainment industry. He actively supports initiatives that promote underrepresented voices and advocates for equitable opportunities.

Alexandra Bowen has been with The Kennedy/Marshall Company since 2015, working across all divisions: narrative features, television, and now documentaries. Past producing projects include BOSTON (Lionsgate), LAUREL CANYON: A PLACE IN TIME (MGM+), Grammy-winning JAZZ FEST: A NEW ORLEANS STORY (Sony Pictures Classics), MR. A & MR. M: THE STORY OF A&M RECORDS (MGM+), and most recently THE SPACE RACE (Nat Geo). In addition, Alex teaches coverage writing workshops at Belmont University, Chapman University, and University of Las Vegas. She is a member of the PGA.

Adam Borozan has been with The Kennedy/Marshall Company since 2017, working in a variety of roles. As Head of Post for the documentary department, he oversees the day-to-day post-production process and ensures the successful delivery of projects. He leads teams of freelance post-production professionals and collaborates closely with directors and producers to execute the project's creative vision throughout finishing.

Prior to joining the docs department, Adam was part of the producing team on Netflix's LIFE AFTER DEATH WITH TYLER HENRY as well as serving as a crew member on a variety of commercials, television shows, and features including FOUR GOOD DAYS (Vertical), and HELLO PRIVILEGE, IT'S ME CHELSEA (Netflix). Past post-producing projects include Grammy-winning JAZZ FEST: A NEW ORLEANS STORY (Sony Pictures Classics), Emmy-nominated MR. A & MR. M: THE STORY OF A&M RECORDS (MGM+), and most recently THE SPACE RACE (Nat Geo). Adam graduated from Pepperdine University in 2015.